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The King Khan & BBQ Show ♥ Triple
Tour Dates
Rock Social Club, Minneapolis (11/29/09)
12/01/09 Mad Planet Milwalkee, WI
Read More
12/02/09 Logan Sq Auditorium Chicago, IL 12/03/09 Northside Tavern Cinncinati, OH 12/04/09 Lees Palace Toronto, ON 12/05/09 Babylon Ottawa, ON |
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Fans lining up outside ♥ The Triple Rock Social Club, Minneapolis (11/29/09) |
So, if you need to catch up on The King Khan & BBC Show (myspace), they are an interesting modern band with minimalistic setup and plays a weird mixture of 50s doo-wop and Surf music. They've got a ton of fans, who lined up hours before the show.
I got the story between King Khan's on stage antics and Jessi Darlin that prior to showing up in Minneapolis, that they were delayed and detained at the Canadian border (I think they had spent the last few weeks touring throughout Canada). This resulted in two things: "Unnamed peed in his pants" and last night's show to be slightly delayed (the doors weren't opened to the public until 9:30pm).
Some notable details about the stage costumes: BBC uses his foot to tap the tambourine and Khan has a fox's head over his crotch. They dedicated "I'll Be Loving You" to "all the Orientals in the audience", which probably only account to myself.
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Nikki Darlin ♥ The Triple Rock Social Club, Minneapolis (11/29/09) |
They started off dirty with "Fun Stix Party" with naughty lyrics like "I'll bring the p****, you bring the d***", followed by "Wild One". They also played fan-favorites like "DUI or Die" and "The Whole Damn Thing" (aka the Chicken Song).
Their cover song, "Shakin' All Over", was their last song on the set... which actually went pretty crazy. See the last half of the song in the video.
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Jessi Darlin ♥ The Triple Rock Social Club, Minneapolis (11/29/09) |
PS, Those Darlins' only male member, drummer Linwood Regensburg tried talking me out of buying their "Gay" V-Neck T-Shirt. He said that he made those V-Necks because someone had suggested it. Apparently they weren't very successful as they only sold a few of those shirts. So, as of this writing, I am one of the six people in the world that owns that V-Neck Darlins shirt.
| xxx |
11/30/2009 04:20:18 ♥ vu (
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♥ thosedarlins.com ♥ myspace.com/darlins ♥ twitter.com/those_darlins
| W♥M058 [download (53 min, 49 mb)] |
BRITPOPCAST #5: Q MAGAZINE'S BRITPOP QUIZ
Recorded in the same session as Britpop Top Ten Countdown (which I still consider the best show ever), this super hard quiz was written by some hardcore journalist at Q Magazine, published in a paperback book called Q Quiz Book. The book is free, along with Q Greatest Rock & Pop Miscellany Book, as bonuses for an annual subscription. I got the book via one of their magazine off the stand.
Some questions are dubious, as far as Britpop is concern, like The Verve question... but overall one of the better quiz out there.
The later part of the show, we talk a bit about The Abercrombie Hotel closing down, Pavement, and Empire of the Sun.
Also, don't forget to see DJ Sal in Sydney at britpop.com.au.
Below are the questions and answers.
| Question | Answer | Points | ||||||
| 01 From which London suburb did The Bluetones hail? | Hounslow | 0 | ||||||
| 02 What was the Boo Radley's debut album called? | Ichabod and I (1990) | 0 | ||||||
| 03 What was the name of Elastica's long-delayed second album? | The Menace (2000) | 1 | ||||||
| 04 What was Pulp's original name? | Abacus Pulp | 1.5 | ||||||
| 05 What was the name of the band fronted by Danny Goffrey's wife Pearl? | Powder | 1 | ||||||
| 06 What was the name of Sleeper's first Top 10 single? | "Sale of the Century" | 0.5 | ||||||
| 07 Who replaced Bernard Butler on Suede? | Richard Oakes | 1.5 | ||||||
| 08 What were Blur originally known as? | Seymour | 1 | ||||||
| 09 Which Ocean Colour Scene song was the theme music on Chris Evans's TV show TFI Friday? | "The Riverboat Song" | 1 | ||||||
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10 Which Britpop supergroup featured both Blur's Alex James and | Me Me Me | 1.5 | ||||||
| 11 How many Brit Awards did the Verve take home in 1998? | 3 | 0 | ||||||
| 12 In which year was Pulp's first Peel Session? | 1981 | 1 | ||||||
| 13 What was the name of Echobelly's singer? | Sonya Madan | 0 | ||||||
| 14 Which Britpop frontman had his shoes stolen by muggers in 1997? | Rick Witter | 0 | ||||||
| 15 Which member of John Power's band Cast also performed with Shack? | Peter Wilkinson | 0 | ||||||
| 16 One of the follow was not a member of Kula Shaker. Which one?
a) Alonza Bevan b) Jay Darlington c) Steve Peck d) Paul Winterhart | C | 0 | ||||||
| 17 Who was the singer of the Seahorses, John Squire's post-Stone Roses outfit? | Chris Helme | 0 | ||||||
| 18 Which member of Dodgy went out with Denise Van Outen? | Andy Miller | 0 | ||||||
| 19 In 1995, with Britpop at its zenith, which three acts headlined the Reading Festival? | Smashing Pumpkins, Bjork, and Neil Diamond | 0 | ||||||
| 20 What item of furniture played a prominent role in the video to Supergrass's Alright? | bed | 1 | ||||||
| 21 What was Marion frontman Jaime Harding convicted of stealing in 2000? | a garden gnome | 0 | ||||||
| 22 Which Britpop outfit were the first to appear on Top of the Pops without releasing a record? | Menswe@r | 0 | ||||||
| 23 How many Top 5 UK albums did Space manage? | 2 | 1 | ||||||
| 24 Gene's 1994 debut single For the Dead came in a limited run of how many? | 1994 | 0 | ||||||
| 25 Which former member of Pulp now runs a ceramics shop? | Nick Banks | 1 | ||||||
| Bonus Questions |
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26 The infamous "Battle of Britpop" - name the two singles by Oasis and Blur that went head to head that same week.
Bonus point: Who won in term of most singles sold. | "Roll With It" vs "Country House"; Blur won the battle (but Oasis won the war). | 1.5 | ||||||
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27 Elastica stole the guitar riff of "Connection" from what 70s punk band?
Bonus point: name the song. | Wire; "Three Girl Rhumba" | 0 | ||||||
| 28 Name Blur's bassist Alex James' unusual hobby? | Cheese lover | 1 | ||||||
| 29 Before Kanye's "I'll let you finish" upstage,
which Britpop maverick danced his way on stage during Michael Jackson's
performance of an award show. Bonus point: name the award show. | Jarvis Cocker; The Brit Award | 1.5 | ||||||
| 30 Name the lead singers of (1) Oasis, (2) Blur, (3) Pulp, (4) Suede, (5) Sleeper, and (6) Elastica. | Liam Gallagher, Damon Albarn, Jarvis Cocker, Brett Anderson, Louise Wener, and Justine Frischmann | 3 |
11/29/2009 20:09:50 ♥ vu (
) ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com
KOSHA DILLZ
official ♥ myspace
We've previously mentioned Kosha Dillz before, with his collaboration with C-Rayz Walz. Derek said that previous album had "classic hip-hop that rests firmly on a bed of oldskool beats", so missing from Beverly Dillz, Kosha Dillz's latest album (released November 10th on Modular Moods Records), seems to be the "oldskool beats".
Although the album starts off with a surprisingly hip-hoppy "DooDoo" - the rest of Beverly Dillz seems pretty laid back to me. There are a few exceptions like "Jungle" and "Tastes Good" (the best rap song on the album).
Personally, I thought "Puddles" was one of the better song, it's probably because it had Yak Ballz as guest. The song feels really familiar to me, like its bass is from the 80s or something. Speaking of familiar, you'll get that on his single, "Cellular Phone", which features some classic Dilliefied version of "This Old Man" and "Word Up".
Kosha Dillz was recently in the news because he remixed fellow Jewish artist YACHT (aka Jona Bechtolt) for an EP called Swim Club. You can grab the free 8-track EP at Kosha Dillz's website. I didn't listen to the entire 8 tracks, but I can tell you that I spotted some Beastie Boys, New Jack City, and Hansons references!
PS, While there are a lot of "hhheh" Hebrew sounds in "Kol Ha Kavod Lirkod", I believe all the songs on Beverly Dillz are in English.
MOSHIACH OI!
myspace
With the baby picture and my generally association that Jewish musicians tend to be either traditional or modern hip-hop, Moshiach Oi!'s album, Better Get Ready, surprised me with their hardcore punk music. Like typical punk songs, these songs are fast, loud, and brief - like a punch in the face.
The band's singer and found, Yishai Romanoff, actually sings his songs (instead of shouting out loud that you find on hardcore bands). Unfortunately, as religious as some of the songs can be ("I Wanna Learn Torah", "I Wanna Learn Torah", "This Is My G-d", "Hashem S'fasai Tiftach"), I can't help but think that the message will be lost in a loud sea of drums and guitars. The one exception of "I Love Torah", where you can clearly hear the majority of lyrics are "I love Torah, yeah!"
To me, punk bands do not often translate their live energy and performance well on the recorded medium, so to really appreciate a band like this, you sort of have to see them live. They are playing one date - probably to celebrate Hanukkah at: Chabad of Bushwick Brooklyn, New York, on December 12th.
You can pick up both of these albums from Shem Speed Store (the largest collection of Jewish music).
IN MORE JEWISH NEWS
For a full listing of events, head over to sephardicmusicfestival.com, what I can tell you is that Matisyahu is headlining on December 14th, which incidentally is also the most expensive ($35) among all the dates. The rest of the dates are decently priced at $12 or so.
Update 11/29/2009 17:51:48:
| jaklumen wrote: Sun, Nov 29, 2009 at 4:23 PM |
other than that they get like 10 gifts for Hanukkah
Eight. There are eight days of Hanukkah, and there's a gift for each day, or there's a number of gifts corresponding to the day (1 gift on the first, 2 on the second...) All I remember well was some Jewish friends of my family said they had to alter things so they wouldn't go broke giving gifts to the kids.
The observance is tied to the Maccabean uprising and references the miracle of the menorah remaining lit for eight days despite a lack of oil.
) ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com
I just came back from seeing 'Precious':
Not since ‘The Birth of a Nation’ has a mainstream movie demeaned the idea of black American life as much as ‘Precious [..] Full of brazenly racist clichés (Precious steals and eats an entire bucket of fried chicken), it is a sociological horror show.
Black pathology sells. It’s an over-the-top political fantasy that works only because it demeans blacks, women and poor people.
That's Armond White, a (black) movie reviewer for the New York Press, who seems to think that all movies about black people should have an immaculate protagonist, an unthreatening premise and a triumphant denouement.
I usually roll my eyes at this shit. Armand White is a known cinematic asshole, always the first to jump on a contrarian bandwagon. He spends most of his review attacking Oprah, Tyler Perry and the movie's director, Lee Daniels, as 'media titans' and 'a pathology pimp'. I've been reading his reviews for years, and he always pulls this shit where he judges every movie primarily on its political message. Its actual content and quality-- how honest it is, how compelling it is -- always come second.
Then I saw 'Precious'.
Fuck. Did it have to be a bucket of friend chicken that Precious steals and binges on? Did her mother have to have lines like 'I only leave the house when I'm playing my numbers?' There are scenes, especially in the first half and particularly the one where her mother scams a social worker for a welfare check, that feel like they were written by an Appalachian militia.
'Precious and her mother share a Harlem hovel so stereotypical it could be a Klansman’s fantasy,' White writes. 'Fuck!' I thought, watching Precious's mother force-feed her a plate of pig's feet as retribution for forgetting the collard greens, 'he's right!'
Imagine watching a movie with an all-Native American cast, where the first 45 minutes were just characters sitting around an evergreen-wooded trailer saying things like 'I sure do love this firewater!' 'Let's make money selling roman candles!' and 'Let's scam the white man by opening a casino!' As much as I hate to admit it, that's the sort of cringe I got watching 'Precious'.
Look, I'm a left-wing, overthinky homosexual living in Denmark, for pagan-ritual's sake. I don't know any more about the black experience in Harlem in the 1980s than I do about the Welsh experience in Australia in the 1870s. I do know stereotypes, however, and the way they get used as ammunition. It's genuinely unsettling to see them in life size, at 24 frames per second.
I fully admit that cringeyness, and Armond White's anger, come not from the movie itself, but from its failure to fulfill its obligation as Blackness Ambassador or whatever to the rest of the country. It is essentially us going, 'Egads, what will the white people think?!'
This reaction is incontrovertibly bullshit, I know. But that doesn't mean it shouldn't be taken seriously. Majorities do form their opinions of minorities based on culture. Depictions do matter, regardless of who's doing the depicting.
Minority groups spent the better part of last century fighting over the quantity of representation in mainstream culture. Now they're fighting over the quality of that representation. And that's OK.
I would be pissed if a mainstream, critically acclaimed movie depicted gays as meth-fueled promiscu-yuppies (and pissed-er, if I'm honest, if it was written or directed by heterosexuals). But at the same time, I get frustrated when the gay experience isn't depicted in all its complication and ugliness. We deserve to be just as nuanced as any other decadent, unbreeding population group.
In my mind, minority representation on film needs to be judged only on its verisimilitude. I can take welfare queens and teen pregnancy when they're in the service of something that, overall, feels true. As far as I'm concerned, 'Precious' fails not because it makes black people look bad, but because it's two dimensional and Paul Haggis-y.
Armond White sees the mother character -- an almost unadulterated cinematic monster -- as a blow against black people. I see it as a blow against art. Any character who literally throws a baby on the ground is no more representative of black people than Freddy Krueger is representative of Dutch-Americans.
Neither 'Precious', nor any other minority-themed film, is going to be the inspirational squeegee that finally wipes the last scum of bigotry from American society. It will be a great thing for America, and the movies, if we stop expecting them to be.
One of the most fun things I did in Sydney was go to a poetry slam. I'm not really into poetry (other than a brief Leonard Cohen written-word phase that coincided with my first week at secular summer camp), and I don't really know anything about it. Most of the poets gave the impression that they learned everything they knew from watching 'Slam'.
At the end of the night, we got the bright idea to attend the next week and read something up front. We ended up not going (due to a scheduling conflict with pilates. Yes, we are granola-sipping arugula-monsters), but I ended up writing something, so I thought I'd share it here.
To the girl I pretended to have a crush on in eighth grade
To the girl I pretended to have a crush on in eighth grade:
I’m sorry I pretended to like you.
In hindsight, it was a bad way to get your boyfriend to notice me.
Your name was Emma Something.
You looked like the fifth Abba.
Not that I knew who Abba was in eighth grade.
You were from the Midwest, and had a smile as wide and unnoticed as Montana.
You weren’t as popular as your hair color or breast size would suggest.
Your late-stage puberty made the straight boys uncomfortable.
I thought you were fabulous.
Not that I used the word fabulous in eighth grade.
I imagined us reading magazines side-by-side on couches at a ranch.
You would look over at me in the firelight
and grimace.
But, like, a happy grimace.
I decided to notice you so no one would notice me.
What’s the deal with Emma Something?
I asked a girl you weren’t really friends with.
Chosen for her likelihood to interpret and rebroadcast my inquiry.
On Tuesday a circle of girls terminated their conversation when I walked by.
It was working.
On Wednesday a boy said, ‘you like her, huh?’
But I mostly wanted to talk about your boyfriend.
I put your yearbook photo on the inside cover of my notebook.
As inconspicuous as a skyscraper in a hayfield.
I made sure to protest one time too many when accused.
Suddenly I was the pervert instead of the sissy.
It was ingenious.
Not that I knew what ingenious meant in the eighth grade.
Not long later, I stopped seeing you in the halls.
Even though I knew the routes your boyfriend took to all his classes.
You were avoiding me.
The next semester we were assigned to sit next to each other.
I left my notebook in my backpack.
I tried to talk.
I said, ‘Where are you from?’
You said, ‘Oh God.’
I’m sorry I pretended to have a crush on you in eighth grade.
Maybe we could have been friends.
Instead we sat, silent, next to each other.
You didn’t look over at me
though you definitely grimaced.
It’s Jef’s birthday soon and, being a man of simple pleasures, he has only requested one thing – an insanely hot chilli sauce. He already owns a bottle of Dave's Insanity Sauce, which makes me cry just to look at it and has a tongue-in-cheek message on the side claiming it can also be used to strip waxed floors and remove grease stains from driveways. At least I hope it's tongue-in-cheek. This is the even stronger sauce Jef wants to add to (his half of) dinner:
Chillis are measured on the Scoville scale, a measure similar to the Beaufort and decibel scales. Mad Dog 357 Special Edition measures 600,000 Scoville units. For comparison, a mouth-burning Scotch bonnet peaks at 325,000 units and the pleasant warmth of a jalapeno clocks in at a mere 5000 units. If a jalapeno is a gentle breeze, this sauce is a hurricane. If a Scotch bonnet is a noisy workplace, then this sauce is a jet engine. Taking off in your FACE.
Jef originally requested this sauce which, at a
brain-shattering four million Scoville units, needs to be added to food using a
pipette. I refused on the grounds that I will have no food in the house that
could kill a child. It is basically a terrifying weapon that should be
dismantled by specialists and the original recipe destroyed. IT SHOULDN’T BE.
So happy birthday, Jef. Happy throat-burning, eye-watering,
finger-blistering birthday.
I'm not sure I'll get to making all of it, but I am set for the following menu for Thanksgiving.
There are a couple of extra chairs at the table if you're interested!
Now I'd better get prepping because so far all I've made is the cranberry sauce.
Thanksgiving 2009
Deviled eggs
Variety of cheeses with French bread
Corn Lemongrass Soup with crab and mussels
Arugula Fennel Mint Prosciutto Pomegranate Salad
Turkey – brined and deep fried
Cranberry sauce – with ginger and Cointreau
Traditional Stuffing with pancetta
Mashed new potatoes with skins on, and mascarpone and chives
Gravy -
Pearl onions roasted with a port reduction and bay
Green beans sauteed with wildrice, mushrooms, bell peppers and pinenuts
Crème Brule
Pumpkin pie with whipped creme
There's much to be grateful for and I try to remind myself of that every day.
Some days I forget.
But I'm glad there's one day of the year when we in the United States are invited to take stock of the abundance in our lives. I hope each of you are with people who are grateful for YOU this year and who express it.
Happy Thanksgiving!

